
Walking through the wooden, ancient front doors of Chartres Cathedral happens by chance.
Usually entry is through side doors immediately left and right of center. Angels, saints and gargoyles hang over you at all the entryways -- as you pass into the volume of what is here.
Frequently throughout the year, on Sundays, buses roll in and young adults of all ages pour out to partake in the Sunday Mass and events for the day.
They come from all over France -- a region at a time. The numbers are staggering to foreigners like me -- and normal to the French. The Cathedral fills from the front row to the back. Sound equipment -- huge speakers -- are set up on the main altar. Not infrequently, the church rocks:~D
The first time I heard the music while walking toward the Cathedral, I could not believe my ears. When I entered, I could not believe my eyes. Banners and flags were waving back and forth throughout the crowd; there was loud pop music playing. The young, in their seats, were singing loudly, swaying as one huge body of life. Comraderie prevailed. It was exhilarating. When the gig is up, the front doors fly open, and the throngs pour out into the courtyard in front of this ancient, massive Gothic cathedral.
That's when I walk through the front doors -- or even after a wedding when the bride and groom have just exited -- open center doors are just too hard to resist:~D
The sheer height of them stirs the soul.
My personal journey to -- and through -- Chartres began in 1995 when friends invited me to cross the border from Belgium and enter France. I had no idea how it would change and define my life. For the next few years working in Europe, I would find myself back in Chartres. One evening during dinner, I realized I had been there six times in the last year -- it was drawing me like a magnet to retreat and rejuvenate.
Chartres is one of the most remarkable places on earth. It is casually called the most intact, preserved Gothic Cathedral in existence. I could not begin to explain the part it has played throughout time in history. Malcolm Miller can -- his love of the Cathedral, brilliance of mind and witty British heritage offer an uncanny, rich weaving, captivating all who come to hear him.
He loves Chartres. And, he has several books on the Cathedral -- you can Google to find him. I CAN tell you that its history is etched in stone and stained glass -- it is all there. From the life and assumption of the Virgin Mary that is the carving and homage paid to the Divine Mother, to cosmic wonders, hidden esoterics, astrological maps -- everything is available.
How that translates is, what you come to see in Chartres, you will find; what you come to experience, will fill you.
It is full of reflective secrets of the universe; a treasure chest that opens differently for each individual who chooses to know more.
It is a gathering place for all souls.
Then there is the labyrinth. Usually, with the chairs in place, you simply walk up the center aisle, and cross over the center of the labyrinth itself -- and then carry yourself merrily along your way. Walking the labyrinth -- one of the many offerings of this timeless vessel -- is an opportunity to purely participate in an intimate, sacred unfoldment that is yours on this planetary vortex of such light, your world can only change.
The labyrinth is underestimated by so many people...or glamorized by others -- but what I've come to recognize is that this is true for those whose eyes are not open.
Some people come to take pictures of what is outside of them that they are visiting. Some come to take stock of what is inside of them that they want to visit.
Some people come to walk the sacred geometry of the labyrinth -- to pilgrimage to a sacred site and find what the offering holds. It's not complicated...it's not devious or full of detours...it's a path straight to the center of itself. All one has to do is walk it. How easy is that:~D Bear in mind that when talking about walking the labyrinth, it can sound like thousands are trying to do it at the same time.
Not true.
Not even dozens at the same time. A handful walk it at the same time. How can it not be crowded? This is a phenomenon in and of itself. What happens when stepping in, is everything!
People behind you may push because they are in a hurry, may step off the Path to go around you because...fill in the blank; may decide to turn around and walk backwards in the middle of it; may shortcut across to not have to walk the first third. Children may run through it laughing, girlfriends may walk across it talking. All that is seen while walking the labyrinth is all your eyes and sentience can see -- and receive. Another phenomenon.
One day when I walked in, the chairs had been removed from the labyrinth itself. I was beside myself seeing the opportunity in front of me; to finally, actually WALK it. My time to be an intrinsic part of the offering had opened. Before I even got halfway to the entrypoint, I had dropped my hat and coat, and was walking ahead full flow. There was no one walking the labyrinth at that moment -- time stood still.
A few entered behind me -- the BBC was there doing a series on sacred sites: labyrinths and mazes. They were silently wandering within its bounds, filming the ancient stones, the center -- finding the facets they wanted to illuminate.
Everyone around me fell away. Until, perhaps a third the way through, I realized that one particular BBC cameraman had been following my footsteps; filming my feet -- my shoes and socks -- walking on the stones. As soon as I realized this, I then had this man's face right in front of mine standing on the Path to center. He put his camera to the side and said, "Excuse me, but could you step into the center?'" (wanting to film the destination).
In disbelief, I looked at him blankly and said, "But I'm not there yet." A transcendental moment happened then for both of us. He realized his error -- not in interrupting me in my passage -- but in his not knowing until that precise moment that it was his passage he had not even considered existed -- and I realized I was on my Path. He dropped his eyes, bowed, backed up and left the labyrinth. I carried on with that first walk to the Center of the Circle.
It's hard to talk about the Ineffable; tricky too. To do so automatically makes one an instant authority figure of the Unknown -- which is an impossibility. To bring one to gateways that explore direct experience of the Ineffable -- and walk as witness of that unfolding consciousness -- if that's as good as it gets , it's good enough for me.
Chartres Cathedral holds this potential.
Bless!
ani http://www.blogger.com/www.chartrescathedralpilgrimage.com